Q&A with “An American in Paris” star McGee Maddox

We chatted with McGee Maddox who plays Jerry Mulligan in “An American in Paris” coming to Nashville October 31-November 5,

 

Q: What drew you to musical theater, more specifically “An American in Paris”?

A: I have always looked for ways to expand my skills as a performing artist and musical theater seemed like a natural next step for me coming from a purely dance background. Knowing that Chris Wheeldon was at the helm of “An American in Paris” made this show and venture most appealing.

Q: What has been the most challenging part of transitioning from ballet to musical theater?

A: The performance schedule. As a principal ballet dancer I might perform two maybe three times a week. With this show I’m onstage 6 nights a week.

 

Q: What can audiences expect when coming to see the show?

A: The most talented group of singers, actors and dancers in the country.

 

Q: Do you see any similarities between yourself and Jerry Mulligan?

A: We are both artists. We look for the beauty in all things.

 

Q: What have you done to make the role your own?

A: I can’t tell you all of my secrets.

 

Q: What do you hope audiences take away from the performance?

A: The joy and love that our company bring to the stage night after night to tell this story.

 

Tickets for “An American in Paris” presented by Bank of America are on sale now at TPAC.ORG, in person at the box office or by calling 615-782-4040.

 

Nashville Ballet Explores Lizzie Borden’s Infamous Murder Case this Halloween

Nashville Ballet will present a haunting double feature of original works just in time for Halloween—the long-awaited return of Lizzie Borden based on the infamous double murder and the world premiere of The Raven inspired by Edgar Allan Poe’s poem—October 26-28, 2017, at TPAC’s Polk Theater.

Nashville Ballet Artistic Director & CEO Paul Vasterling’s Lizzie Borden examines the real-life double murder case of 1892 in Fall River, Massachusetts. Lizzie Borden was famously accused, tried and acquitted for the brutal ax murders of her father and stepmother in a case that remains one of the most controversial and sensationalized in American history.

“Because Lizzie Borden was acquitted and no one was ever charged for the murders, endless speculation still surrounds the case that makes it as fascinating as ever,” Vasterling said. “I have my own theories about what may have happened in the Borden household on the day of the murders, and leading up to it. This ballet explores the dark backstory and delves into the mind of Lizzie Borden—taking place in her memories—to show that there may be more to the story than meets the eye.”

Lizzie Borden has remained a fixture in American culture for more than a century as the subject of popular books, movies, television shows and even a well-known children’s rhyme (“Lizzie Borden took an ax…”). Nashville Ballet’s version was originally presented in 2006, and this time around will feature a newly commissioned score by English composer Philip Feeney along with updates to the choreography. Unique to this version, Vasterling explores the phenomenon of “shadow people,” ghostlike figures often attributed to the presence of the supernatural, who influence Lizzie Borden throughout the ballet.

Lizzie Borden will be complemented by the world premiere of Nashville Ballet company dancer Christopher Stuart’s The Raven. Inspired by Edgar Allan Poe’s famous poem, the ballet follows a mysterious raven that ultimately drives a heartbroken lover into madness. The brand-new work will feature a classical score by Hungarian composer Franz Liszt.

Lizzie Borden with The Raven is presented by STF Events & Catering and Lightning 100. Tickets start at $35 and can be purchased in person at the TPAC box office in downtown Nashville, by phone at (615) 782-4040 or at NashvilleBallet.com. A complete performance schedule and more information can be found at NashvilleBallet.com/Lizzie-Borden. Viewer discretion is advised; this production contains mature content.

About Nashville Ballet Nashville Ballet is the largest professional ballet company in Tennessee. Nashville Ballet presents a varied repertoire of classical ballet and contemporary works by noted choreographers, including original works by Artistic Director & CEO Paul Vasterling. Nashville Ballet and the second company, NB2 (a pre-professional training company), provide more than 70,000 arts experiences to adults and children annually through season performances and its Community Engagement programming. Curriculum-based Community Engagement programs bring dance education to community centers, colleges, public libraries and public elementary, middle and high schools across the state. School of Nashville Ballet brings world-class dance instruction to students age 2 to 70.

Nashville Ballet receives public funding from Metropolitan Nashville Arts Commission, Tennessee Arts Commission and the National Endowment for the Arts. Contributions from local, regional and national institutional funders and community partners, as well as hundreds of generous individuals, provide ongoing support of Nashville Ballet’s mission-critical programs.